Enlightened – The Realm of the Buddhas

Intro

Enlight­ened The Realm of the Buddhas From 20 November 2020

The Buddha seated on a lotus throne is one of the oldest and to date best-known representations of Buddhism.

Buddhists in a temple in Thailand © Peter Thiele, Berlin

At present, more than 380 million people identify as Buddhists. In some countries, such as Thailand, Buddhism is the majority religion. Images of the Buddha are to be found across the globe and enjoy great popularity.

Buddha Shakyamuni as a prince, Tibet, 16th c. Metal, fire-gilded, semi-precious stones © Museum der Kulturen Basel, IId 13889, collected by G.W. Essen, purchased 1998

The model for this statue is in the Jokhang temple in Lhasa, Tibet. It is one of the rare cases in which Buddha Shakyamuni is shown as a prince: he is wearing the regalia and precious robe of a worldly ruler. But, at the same time, his calm and inward-looking expression is a sign of meditative contemplation.

Buddha Shakyamuni, Sri Lanka © Peter Thiele, Berlin

Up to this day, Buddhist teachings are very much alive and the source of many new images of the Buddha. Practically everyone knows what a Buddha looks like. What significance and function do Buddha images have? Who was the Buddha and what is his message? The emergence and spread of Buddhist teachings are reflected in the many depictions of the Buddha up to the present.

Taibai once asked Baso: “What is Buddha?”
Baso replied: “Spirit is Buddha.”

Buddhism without the Buddha?

Budd­hism with­out the Buddha?

Buddhapada, Bodhgaya, India

The Buddha’s footprint signifies his presence. In the first centuries after the death of the historical Buddha, that is, roughly from the 3rd century BCE, his teachings were communicated with the help of symbols. Not least because he himself had relied on emblems and rejected the veneration of himself as a person. The representation of the Buddha by means of symbols is referred to as the aniconic period of Buddhist art.

According to tradition, Siddhartha Gautama who, after the awakening, was given the honorary title Buddha Shakyamuni was born as a prince in Lumbini on the border between today’s states of India and Nepal. He grew up in his father’s palace in Kapilavastu, before leaving his home as a young man to search for the source of all suffering. He finally attained enlightenment in Bodhgaya after meditating for a long time. He presented his teachings on the origins of suffering and how to overcome it for the first time in Sarnath, a small town in Northern India. He died in old age in Kushinagar, surrounded by close followers.

The Tree of Awakening

For forty-nine days Siddhartha Gautama meditated under a tree before attaining enlightenment.

In his search for the sources of suffering, Siddhartha Gautama joined various ascetics of his time. He followed their advice and practised renunciation and abstinence as recommended, he even almost starved himself to death. Physically and spiritually drained, he finally came to the conclusion that the only way to overcome suffering and attain enlightenment was through intensive meditation on a middle path between the extremes.

The Bodhi tree with the empty throne reminds of Buddha Shakyamuni © Biswarup Ganguly, own work, via Wikimedia Commons, CC BY-3.0, picture detail

The relief from the Indian city of Mathura shows the Buddha’s empty throne under a peepul tree. It stands for his enlightment, bodhi, a condition marked by the overcoming of greed, hatred, and ignorance. Hence, Siddhartha Gautama became Buddha Shakyamuni, the wise man from the noble Shakya family. Thereafter he travelled across northern India, teaching the people about the origins of suffering and how to overcome it. His following grew by the day and, before long, led to the establishment of the first orders of Buddhist monks and nuns. Shakyamuni encouraged them not to blindly follow his teachings but to subject them to close scrutiny.

"A true master does not think he is the only suitable head of an order, or that the order depends on him. For this reason, let the teachings be your island, your refuge!"

Buddha Shakyamuni, Digha-Nikaya 16 Dhammapada – Die Weisheitslehren des Buddha, 2005 (1998), Freiburg, Basel, Wien, abridged quotation

The Wheel of the Law

In the deer park at Sarnath in northern India, the Buddha presented his teachings for the first time, thus setting the famous Wheel of the Law in motion.

Entrance to the "Monastic Tibet Institute" © Tibet Institute Rikon

The Monastic Tibet Institute in Rikon near Winterthur is the spiritual centre of Europe’s largest Tibetan diaspora. The wheel above the entrance is flanked by two deer – in reference to the Buddha’s first sermon at Sarnath.

The Wheel of the Law, dharmachakra, stands for the essence of Buddhism. At the same time, it points the way out of the eternal and suffering-laden cycle of rebirths. The Buddhist teachings, dharma, are based on the «four noble truths».

All existence means suffering
The causes of suffering are hate, craving, and ignorance
Suffering can be ended by overcoming the causes
There is a way to overcome all suffering

Buddha Shakyamuni, The Analogy of the Transformed Dhammapada – Die Weisheitslehren des Buddha, 2005 (1998), Freiburg, Basel, Wien, abridged quotation

According to Buddhist understanding, all living beings experience multiple rebirths. The actions and attitudes of the previous existence, karma, define the nature of rebirth. The ultimate aim is to leave the ongoing cycle of rebirths, samsara. After his death, the Buddha’s teachings, which had until then been transmitted orally, were collected by experienced monks and discussed in a series of assemblies before being recorded in manuscripts from the 1st century BCE onwards.

The Wheel of the Law with eight spokes © Christopher J. Fynn, own work, via Wikimedia Commons, CC BY-SA 4.0, picture detail

The eight spokes stand for the Eightfold Path, which describes the way to overcome suffering. The Path serves as a guideline to a mindful way of living and spiritual development for monks, nuns as well as lay people.

A Monument of
Enlight­enment

A stupa is a circular monument and relic shrine which serves as a receptacle for human remains which are considered to be sacred. It creates a link between the physical and the spiritual world.

stupa, Sri Lanka, before 1898 IIa 30a+b, Collected by P. and F. Sarasin, gift 1898 © Museum der Kulturen Basel

After his death, the Buddha’s ashes, his bones and teeth were distributed across various burial mounds. Out of these mounds, the stupa developed: resting on a round or semi-spherical base is a rectangular shape that contains the relics and which is surmounted by a crowned spire. Over the centuries, ever more monuments were built in Asia to hold Buddhist relics. Up to this day, they serve as important pilgrimage sites.

© Peter Thiele, Berlin

Dhamek stupa, Sarnath/India

© Silvia Greber, Zurich

chörten at the Buddhist Centre, Zurich, Switzerland

© Peter Thiele, Berlin

chörten of the Kharbandi Monastery, Bhutan

© Peter Thiele, Berlin

pagoda at the Xiangshan Park, Beijing/China

© Peter Thiele, Berlin

stupa-shaped tzatzas in the Himalayas

© Halavar, own work, via Wikimedia Commons, CC BY-SA 4.0, picture detail

Shwedagon pagoda in Yangon, Myanmar

© Peter Thiele, Berlin

stupas of the Borobudur temple complex, Java, Indonesia

© Peter Thiele, Berlin

pagoda in Bagan, Myanmar

© Peter Thiele, Berlin

Dhamek stupa, Sarnath/India

© Silvia Greber, Zurich

chörten at the Buddhist Centre, Zurich, Switzerland

© Peter Thiele, Berlin

chörten of the Kharbandi Monastery, Bhutan

© Peter Thiele, Berlin

pagoda at the Xiangshan Park, Beijing/China

© Peter Thiele, Berlin

stupa-shaped tzatzas in the Himalayas

© Halavar, own work, via Wikimedia Commons, CC BY-SA 4.0, picture detail

Shwedagon pagoda in Yangon, Myanmar

© Peter Thiele, Berlin

stupas of the Borobudur temple complex, Java, Indonesia

© Peter Thiele, Berlin

pagoda in Bagan, Myanmar

© Peter Thiele, Berlin

Dhamek stupa, Sarnath/India

© Silvia Greber, Zurich

chörten at the Buddhist Centre, Zurich, Switzerland

© Peter Thiele, Berlin

chörten of the Kharbandi Monastery, Bhutan

© Peter Thiele, Berlin

pagoda at the Xiangshan Park, Beijing/China

© Peter Thiele, Berlin

stupa-shaped tzatzas in the Himalayas

© Halavar, own work, via Wikimedia Commons, CC BY-SA 4.0, picture detail

Shwedagon pagoda in Yangon, Myanmar

© Peter Thiele, Berlin

stupas of the Borobudur temple complex, Java, Indonesia

© Peter Thiele, Berlin

pagoda in Bagan, Myanmar

Dhamek stupa, Sarnath/India

In different countries, the relic shrines are known under different names: stupa in India, dagoba in Sri Lanka, paya in Myanmar, chedi in Thailand, ta in China, to in Japan, and chörten in Tibet. Pagoda is a commonly used umbrella term in East and Southeast Asia.

A monk once asked Master Tozan: "What is Buddha?"
Tozan replied: "Three pounds of flax."

Representing the Buddha as a human being

Repre­senting the Buddha as a human being

Head of a Buddha, Gandhara, probably 3rd/4th c. Limestone © Museum der Kulturen Basel, IIa 667, collected by A. Sarasin-Iselin, gift 1934

At the same time that images of venerated persons or deities made their first appearance in other world religions around the beginning of the Common Era, the first human depictions of the Buddha also appeared. It marked the beginning of the iconic phase in Buddhist art.

In the second and third centuries, Mathura became a political and cultural centre in northern India. The rulers of the Kushan empire not only promoted long-distance trade but also art and religion. It resulted in stimulating exchanges and the development of a religious imagery that markedly shaped early Buddhist and Hindu art.

The Gandhara region situated on the border between modern Pakistan and Afghanistan, was connected with the Mediterranean through the intercontinental trade between Asia and Europe. The flourishing trade attracted numerous artisans, who created a plethora of images, thus advancing the spread of Buddhist art.

The First Portrait of the Buddha

Where exactly the first portrait of the Buddha originated has not been ascertained. While Gandhara artists integrated European elements into their works, the artists from Mathura in India, relied more heavily on models shaped by South Asian art.

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    Buddha Shakyamuni, Mathura, 2nd c. © Linden-Museum, Stuttgart

    The Buddha from Mathura combines the appearance of an ascetic and those of a chakravarti, a universal ruler, resulting in the idealized image of a perfect human being with the aura of an enlightened one. One of the characteristics of these early images is the gaze that is focused on the viewer.

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    Buddha Shakyamuni, Gandhara, 3rd/4th c. IIa 11491, collected by G. u. M. Kinzel, bequest 2006 © Museum der Kulturen Basel

    The Buddha from Gandhara fuses elements of Greek and Western Asian art with Buddhist notions. The protuberance on the crown of the head as a symbol of the wisdom of enlightenment is reminiscent of the hair knot on ancient statues; the aureole at the back of his head references the Buddha’s spiritual greatness; the facial features call to mind ancient Greek gods, as does the fold of his robe.

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    Inter-religious relationships

    Buddha Shakyamuni with the Indian gods Brahma and Indra © Art Institute of Chicaco, CC0 Public Domain Designation, picture detail

    The relief shows Buddha Shakyamuni being venerated by the Indian deities Brahma and Indra. The story goes that the two gods were present when the Buddha was born and bestowed gifts on the exceptional child. The connection between Buddhism and the old Indian religions has always been close, not only in artistic terms. In those days, numerous ancient Indian concepts were appropriated by Buddhism, for instance, the law of cause and effect with regard to all actions, <i>karma</i>, as well as the idea of the eternal cycle of rebirths, <i>samsara</i>, to name but two.

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What makes Buddha the Buddha?

Over the centuries, an imagery developed in South Asia which representations of the Buddha follow to this day. Besides the figurative representations, the Buddhist symbols have retained their validity.

The recorded texts mention a total of 32 major and 80 minor characteristics of the Buddha. They portray him as a mahapurusha, a great personality. The artists of the time took some of these characteristics into account in their work, thus creating an idealized image of an enlightened being. The template was then fused with the local art traditions of the various regions.

Buddha Bhaishajyaguru, Tibet, 18th c. IId 13900, collected by G.W. Essen, purchased 1998 © Museum der Kulturen Basel

Most of the depictions showing a seated Buddha emphasize his meditative nature, while the standing figures express vibrancy and mindfulness.

Sri Lanka, before 1891, IIa 160, collected by P. u. F. Sarasin, gift 1898 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of teaching and discussion, vitarka mudra

Tibet, 10th/11th c., IId 13890, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of fearlessness and encouragement, abhaya mudra

Thailand, before 1930, IIb 311, collected by R. Eisenhofer, purchased 1930 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of two-fold protection, abhaya mudra

Sri Lanka, before 1891, IIa 160, collected by P. u. F. Sarasin, gift 1898 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of teaching and discussion, vitarka mudra

Tibet, 10th/11th c., IId 13890, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of fearlessness and encouragement, abhaya mudra

Thailand, before 1930, IIb 311, collected by R. Eisenhofer, purchased 1930 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of two-fold protection, abhaya mudra

Sri Lanka, before 1891, IIa 160, collected by P. u. F. Sarasin, gift 1898 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of teaching and discussion, vitarka mudra

Tibet, 10th/11th c., IId 13890, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of fearlessness and encouragement, abhaya mudra

Thailand, before 1930, IIb 311, collected by R. Eisenhofer, purchased 1930 © Museum der Kulturen Basel

Buddha Shakyamuni showing the gesture of two-fold protection, abhaya mudra

Buddha Shakyamuni showing the gesture of teaching and discussion, vitarka mudra

“He who practices the faith internalizes the image of the Buddha by first looking at his picture and then transforming it into a kind of mental image. Upon this, the believer reflects on the Buddha’s nature – his body, his words, and his spirit.”

Thupten Jinpa, religious scholar and translator for the 14th Dalai Lama for many years From: Neil McGregor, A History of the World in 100 Objects, London: Allen Lane (2011)

Wu-tsu spoke: “When you encounter a Master of the Path while following the path, you may not approach him with words, but neither with silence. Tell me: how do you then answer him?”

The Ways of Buddhism

The Ways of Buddhism

Mahabhodi temple in Bodhgaya, India, the place where different schools of Buddhism meet. Photo by chaostrophy, own work, via Wikimedia Commons, CC BY-SA 2.0, unchanged

Buddhism is not a religion with a single, unified doctrine. In the course of its history, many different schools developed. What they have in common is the aim of enlightenment but there are different ways of getting there.

From India, Buddhism spread south to Sri Lanka and across the sea to Myanmar, Thailand, and Java. To this day, Theravada Buddhism, the “School of the Elders”, is dominant in these countries. Following trade and pilgrimage routes, Buddhist teachings also spread north to China, Korea and Japan from the 1st century on.

In the countries along this northern route, Mahayana Buddhism, the “Great Path”, is widespread. From the 8th century on, Buddhism also began to prevail in the Himalayan countries. The dominant school in Tibet, Nepal, Bhutan, and Mongolia is Vajrayana Buddhism, the “Diamond Path”, which was also adopted in parts of China and Japan.

“The teachings are merely a vehicle, a means of describing the truth. Don’t take it for the truth itself.”

Sermons of the Buddha From: Thich Nhat Hanh, Wie Siddhartha zum Buddha wurde, 1992, München: Theseus

Theravada – the School of the Elders

Theravada is the oldest branch of Buddhism, with a focus on the teachings of the Buddha.

“A monk should remain clear and conscious; this, dear monks, is our commandment.”

Sermons of the Buddha From: Reden des Buddha, 2008 (1957), Stuttgart: Reclam

Apart from the Buddha’s sermons, the Pali canon contains monastic rules and comments by disciples of the Buddha. Up to this day, it represents the foundation of Theravada Buddhism. It is borne by orders of monks and nuns, the sangha. Among the practices that lead to enlightenment, material renunciation, meditation, and abstinence play a central role.

The Buddha and monks on an alms processcion, Wat Dhaukanong, Thailand, before 1962 IIb 2129, collected by T. Meier, purchased 1962 © Museum der Kulturen Basel

In many countries monks and nuns conduct an alms procession in the streets every morning. The ritual gives people an opportunity to donate and thereby gain spiritual merit. According to Theravada, every human being must try to attain enlightenment through their own effort. The only thing they have to rely on is the Buddha as a human role model and his teachings. By overcoming the spiritual evils of greed, hate, and ignorance, and practising intensive meditation, it is possible to attain enlightenment in a single lifetime after experiencing multiple rebirths, and thus become an arhat, a Worthy One.

Buddha Shakyamuni, Thailand, before 1950 Yellow metal © Museum der Kulturen Basel, IIb 1634, collected by L. Paravicini, gift from estate 1951

The Buddha is shown seated on the lotus throne in meditation. With his right hand he is performing the earth witness gesture to signify that he has attained enlightenment. The sign for this is a small flame alight on his head. Since Buddha Shakyamuni serves as a role model of spiritual practice, representations of him and of events from his life feature prominently in Southeast Asian art.

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    Buddha and the Serpent King

    Buddha on the Serpent Throne, Thailand, 16th/17th c. IIb 1523, collected by F. Sarasin, gift 1940 © Museum der Kulturen Basel

    During a week of rain and storm, the serpent king Mucalinda once came to the Buddha’s rescue: He wrapped himself around him to protect him from the rain and cold. He raised his seven heads up behind him and protected with his splayed hoods. According to tradition, the episode narrates an event from the Buddha’s life. The motif spread across Southeast Asia from the 7th century on, gradually becoming one of the most significant representations of the Buddha: in this way the naga, originally serpent-beings in local, non-Buddhist myths, became incorporated in Buddhist art.

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The Buddha entering parinirvana, Thailand, before 1937 IIb 839, collected by P. Wirz, purchased 1937 © Museum der Kulturen Basel

According to Theravada Buddhism, the Buddha attained nirvana, the condition of pure bliss and complete release from suffering and the end of the cycle of rebirths, already during his lifetime. At death he entered parinirvana, that is, complete extinction and final liberation from the cycle of rebirth, samsara. The distinction between nirvana and parinirvana is peculiar to Theravada Buddhism.

parinirvana of the Buddha, Gal Vihara, Sri Lanka © Peter Thiele, Berlin

Mahayana – The Great Path of Compassion

Mahayana Buddhism established itself around the beginning of the Common Era when earlier Buddhist ideas and values were reinterpreted. On the path to liberation, compassion, karuna, and wisdom, prajna, became essential.

“All the bliss in the world comes
from wishing bliss on the other
All the misery in the world comes
from wishing for one’s own bliss.”

Santideva From: Geshe Wangyal, Tibetische Meditationen, 1991 (1973), Zürich: Theseus

According to Mahayana Buddhism, every being already carries the seed of enlightenment in him. However, it is covered up by conflicting emotions, mainly the spiritual evils of greed, hate, and ignorance. They tie humans into the eternal cycle, samsara. In Mahayana, enlightenment is not a prerogative of monks but attainable by all human beings, in contrast to Theravada Buddhism.

Buddha Shakyamuni, China, before 1908 IId 433, unknown collector, purchased 1908 © Museum der Kulturen Basel

A peculiarity of Mahayana Buddhism are the bodhisattvas, awakened beings that represent boundless compassion. Usually they are shown dressed in opulent robes and richly adorned. The bodhisattvas have pledged to forego their own admission to nirvana in order to support and guide others on their quest for enlightenment. According to own understanding, this selfless attitude is a significant feature of Mahayana in difference to Theravada.

Bodhisattva Avalokiteshvara, Tibet, 15th c. Yellow metal, traces of colour © Museum der Kulturen Basel, IId 13927, collected by G.W. Essen, purchased 1998

The best-known bodhisattva is Avalokiteshvara. He stands for absolute compassion. According to one legend, he was so concerned about all the misery and suffering in the world that his head burst into a thousand pieces. His spiritual father, Buddha Amitabha, put the pieces together again with the result that he now had ten heads. He placed his own head at the top. With his many eyes, Avalokiteshvara is now able to detect all the suffering in the world and help wherever he is needed.

Padmapani with Manjushri and Vajrapani, Tibet, 12th c. IId 13933, collected by G.W. Essen, purchased 1998 © Museum der Kulturen Basel
Shyama Tara, Tibet 14th/15th c. IId 13959, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

Apart from male, there are female bodhisattvas as well which people can invoke in times of distress. Shyama Tara, the Green Tara, provides assistance in all difficult situations. She probably once developed out of a celestial body, which guided travellers along the famous Silk Road. Now she provides guidance on the path to enlightenment.

Buddha Maitreya, Tibet, 9th/10th c. IId 13895, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

Bodhisattva Maitreya is destined to become the Buddha of the Future, in 500 years at the earliest according to our time reckoning. He is the only one shown in a seated position, with both feet touching the ground. His hands display the gesture of explanation. According to Buddhist tradition, Buddha Shakyamuni was neither the first nor the last buddha. On a time scale, his predecessors and successors, respectively, are described as the buddhas of the past, present, and future.

Vajrayana -The Diamond Path to Liberation

The tradition of Vajrayana Buddhism emerged around the middle of the first millennium through the incorporation of ritual techniques into Mahayana Buddhism.

"Rely on authentic teachers who possess insight and compassion."

Dschetsün Gampopa From: Dschetsün Gampopa, Die Kostbare Girlande für den höchsten Weg, 1999, Berlin: Theseus

The religious Tantrism movement emerged around the middle of the first millennium in northeast India and came to shape Vajrayana Buddhism. This path to enlightenment is coined by numerous rituals and requires instruction by experienced spiritual teachers. Tantrism impacted on Hinduism as well as on Buddhism. The techniques and rituals imparted are aiming to attain a higher state of consciousness.

Padmasambhava in the company of his wise consorts, Tibet, 17th c. IId 14009, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The Tantric master Padmasambhava had numerous male and female disciples. Two of them became his wise consorts and are often depicted with him. Padmasambhava is considered as the founder of Buddhism in Tibet and other Himalayan countries. He reached Tibet in the eighth century on the back of a tigress where he defeated the demons that reigned there, and had the first Buddhist monastery built.

vajraand ghanta, Tibet, 17th c. IId 14093, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

In Vajrayana Buddhism, rituals point the way to enlightenment. The bell and diamond thunderbolt, vajra, underpin the ritual performances. Reciting mantras, meditation, and visualizing deities help adherents to reach complete enlightenment, bodhicitta. Ritual practice transforms spiritual evils, that is, negative traits, into medicine. Unlike in Theravada and Mahayana, here enlightenment can be attained in a single lifetime – although for most adherents this is of minor significance.

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    Ngawang Lobzang Gyatso, the 5th Dalai Lama, Tibet, 18th c. IId 13816, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel
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In Vajrayana Buddhism, the state of enlightenment is reflected on three hierarchically arranged levels called trikaya.
The lowest level is the place of the earthly Buddhas; they can be experienced by all human beings. They include the historical Buddha Shakyamuni and the future Buddha Maitreya.
The second level is the realm of the transcendent Buddhas. They are subject to neither time nor space, stand for wisdom and liberation, and are only perceptible in meditation.
On the highest level, the primordial Buddha embodies the highest truth which can only be grasped in the moment of enlightenment.

Tibet, 14th c., IId 13881, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Akshobhya, The Unshakable. He embodies the indestructability of enlightenment

Tibet, 16th c., IId 13883, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Ratnasambhava, The Jewel-born. He embodies the fulfilment of wishes

Tibet, 15th c., IId 13882, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Amitabha, The Infinite Light and all-pervasive wisdom

Tibet, 15th c., IId 13884, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Amoghasiddhi, The Unfailingly Accomplished, embodies infallible success

Tibet, 14th/15th c., IId 13879, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Vairocana, The Shining One, embodies omniscience

Tibet, 14th c., IId 13881, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Akshobhya, The Unshakable. He embodies the indestructability of enlightenment

Tibet, 16th c., IId 13883, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Ratnasambhava, The Jewel-born. He embodies the fulfilment of wishes

Tibet, 15th c., IId 13882, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Amitabha, The Infinite Light and all-pervasive wisdom

Tibet, 15th c., IId 13884, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Amoghasiddhi, The Unfailingly Accomplished, embodies infallible success

Tibet, 14th/15th c., IId 13879, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Vairocana, The Shining One, embodies omniscience

Tibet, 14th c., IId 13881, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Akshobhya, The Unshakable. He embodies the indestructability of enlightenment

Tibet, 16th c., IId 13883, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Ratnasambhava, The Jewel-born. He embodies the fulfilment of wishes

Tibet, 15th c., IId 13882, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Amitabha, The Infinite Light and all-pervasive wisdom

Tibet, 15th c., IId 13884, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Amoghasiddhi, The Unfailingly Accomplished, embodies infallible success

Tibet, 14th/15th c., IId 13879, collected by G.-W. Essen, purchased 1998 © Museum der Kulturen Basel

The transcendent Buddha Vairocana, The Shining One, embodies omniscience

The transcendent Buddha Akshobhya, The Unshakable. He embodies the indestructability of enlightenment

Transcendent Buddhas are represented with a five-petalled crown, opulent jewellery, and precious clothing. This appearance expresses that they are ever-present and not subject to the laws of time and transience.

A monk once asked Yuanwu Kequin: “What is Buddha?”
Yuanwu replied: “The mouth is the gateway to calamity.”

The Inner Buddha

The Inner Buddha

A Buddha image has no decorative function. It serves as a meditation support and as a means to attain the spirit of enlightenment. At the end of the journey it is left behind.

Enlightenment cannot be described visually. In Japanese Zen Buddhism, which grew from the Mahayana tradition, calligraphy is used as a method to train the mind. The resulting pictorial works are an expression of the spiritual practice and, at the same time, indicate how the performer’s enlightenment spirit is unfolding.

“Learning and mastering the path to enlightenment means
getting to know and mastering one’s true self.
Getting to know and mastering one’s true self
means forgetting oneself.
Forgetting oneself
means becoming one with the entire universe.”

Zen Master Dogen Zenji (1200-1253) From: Fabrice Müller, Der Erleuchtung ist es egal, wie man sie erlangt, from: natürlich, volume 3/2020, www.lasalle-haus.org
Kensho – Recognizing one’s own Buddha nature © Diary of a Zen Disciple, drawings and text by Sato Giei, Pfullingen: Neske 1988

Japanese koans, paradox anecdotes and riddles, are an exercise for our enlightenment spirit. They cannot be solved by logical reasoning, only by intuition.

“If you encounter the Buddha, kill him!”

Or how about …

Or how about ...

… a meditation in the company of a host of Buddhas!

A few minutes of meditation a day will enhance concentration and reduce stress. The meditation station in the exhibition provides an opportunity to try it out: in order to bring your mind to rest and interrupt the constant flow of thoughts, try breathing in and out consciously and regularly. An upright posture and a calm environment are also helpful. Like cycling, meditation requires training – only regular practice brings mastery.

Buddha Shakyamuni with offerings, Sri Lanka © Peter Thiele, Berlin